Very little has changed in this shot so far. I've only tweaked existing frames. I did was raise the hemline and shorten the jacket by a couple inches to match the rest of the film, and gave the skirt a little more of a bell shape, as well as a few fold lines. I also made Ayu's head slightly bigger to make sure she's 6 heads tall. Generally I hope more shots are sorta like this, because I'd like to preserve (in this case) as much of Tori's original coloring work as possible. Of course I'm probably going to have to color this times 3 more frames since I'm about to inbetween this shot to bring it up from 3s (8 frames per second in the film) to 1s or my typical variable timing method (I think I had a professor say it's the "European timing system"? Either way, typically most American animators prefer to hold a single frame rate per shot, but as I've seen in both Japanese and European Animation, sometimes this seems a little unnecessar
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